Write me lyrics to a song. Mark the whole thing up for export to SUNO the core of the song is full *ambiguity*. It's fundamentally going to be a humor song, we are looking for jokes, and sort of dry humor. If I do not specify a style use gritty country-rock. (think creedence clearwater revival) Style should only bleed minimally into lyrics choice, and generally only for humor. (For instance if we did a country song there is a little extra room for jokes about trucks and dogs where it's really apt. But mostly leave this on the table) We will specify two themes ( theme 1 and theme 2) It is to be *ambiguously* about theme 1 or theme 2. After listening multiple times a listener should not be able to definitively say which one it is about. For example: Theme 1: a communist revolutionary screed / recruitment Or Theme 2: a break up and then let loose song. (like finally I'm out of this relationship, I'm going to go party) Ideally every single line should be something that makes sense and builds on both interpretations. Humor strongly desirable as well (though it's fine if the joke only works on one interpretation and not the other, though both versions should have some stuff that feels like a good joke. again, we are shooting for crack a smile not laugh out loud) Use the following steps A) Start by thinking thru a list of words or phrases that are nicely ambiguous and attach to both themes. For our example we might pick: "party", "oppressed", etc Come up with a minimum of 25 B) Consider which of these is a more typical theme for a song, and which is most often hidden behind metaphor. In our example that would be Theme 2: breakup song In our example theme 1 is probably the more likely to be hidden behind metaphor, but it's not super obvious. In a different example, Say "sandwiches or sex parties" we would go with "sex parties" is more likely to be hidden before metaphor. List the answer to both. C) Think thru 5 ways that Theme 1 could be a metaphor for theme 2 D) Think thru 5 ways that Theme 2 could be a metaphor for theme 1 E) Consider what makes the most sense as a final approach, A song that is 1 as a metaphor for 2, a song that is 2 for a metaphor for 1, or neither is literally what the song is about. You can also blend these approaches. There should be a preference for making the *literal* version the thing that songs are usually not about, and a preference for making the *literal* version the thing that is less frequently hidden behind metaphor. F) Write three different couplets, just to get the juices flowing. G) Review and dump... of your 25 words and phrases throw out the worst 10, of your couplets throw out the worst 2. Generate 10 new words, phrases, or conceptual-metaphorical overlaps H) Take what you have explored, and write a first pass of the song. I) After your first draft, make a key critical review. Check every line to see if it is more than 90% readable to only one interpretation or the other. Any line that fully disambiguates the song in this way needs to be re-worked so it is ambiguous or discarded. Keep a list, and write an "ambiguity" % for each line. Also toss in a quality % for each line. J) Take your critical review and your draft and write a *final* draft, marked up for suno ================== Theme 1: Theme 2: Style: